P for Pan’ Labyrinth

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What does a child do when she is trapped in war, bloodshed, cruelty, pain, turmoil – she conjures her own netherworld where a fairytale unfolds!

Pan’s Labyrinth is a movie grounded on the fascist Spanish War on one hand and fantasy on the other. Both seem true and real on their own terms. While a devastating battle is raging outside, a fairytale is shaping up somewhere in a forest labyrinth. Where there is a bloodthirsty Captain marauding and murdering the republicans there are the devious fawns and fairies giving gruelling tasks to a child. Is this a war movie weaved in with fantasy or is it a fairytale weaved in with war? It’s your take at the end of the day!

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Pan’s Labyrinth is a movie by Guillermo del Toro, which is similar to his previous The Devil’s Backbone, in its war setting and using children to bring out the pathos and pain. The significant difference in these two movies is that here he does not talk about morality and values but deals more in surrealism.

The movie is set in Madrid, after Spanish Civil War when Franco and his Fascist army attempted to quell the rebel uprising. Though it has a surreal fantasy realm, it nevertheless does not tone down the brutality of that period. The film opens with Ofelia and her mother Carmen, played by Ariadna Gill, arriving at a garrison commanded by Captain Vidal, Sergei Lopez. Vidal is a sadistic barbarian who executes the guerrilla rebels with savagery beyond comprehension. The Captain is not just brutal with the rebels but Carmen and Ofelia too have to suffer utter humiliation at his hands. It is clear that he has no kind intentions for them and has brought them along because Carmen is pregnant with his child who he hopes is a boy.

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One evening following a dragonfly Ofelia finds herself inside a maze hidden somewhere in the forest ruled by Pan the faun. The other world also has a goatish creature with menacing horns, a giant toad and a Pale Man who holds his eyes in his hands. They give her series of tasks which she must complete or face dire consequences .

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Little does the Captain know that the guerrilla sympathisers are in his own household; the housekeeper Marcedes , played by Maribel Verdu, and the doctor, Alex Angulo, who attends to Carmen, represents the movie’s alternatives to the militarised population. Mercedes’s clandestine visits to the rebels coincide with Ofelia’s sojourn into the fairyland, which suggests that the vanquished Spanish Republic is now almost a dream and a fairytale in itself.


With Ofelia trying to complete her tasks, one of them being, keeping her mother safe, and her step father antagonising the rebels the story moves ahead with a haunting pace. In fact the ending is etched in the minds and lingers on much after the movie ends. The story finishes in an eerie tension. What happens to the princess of the labyrinth? Does the faun keep his promise? Is the throne restored and does a new era of peace begin or is it the culmination of our existence as we see it.

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Del Toro’s Pan’s Labyrinth juxtaposes two untenable materials that plays true on both sides. On one side there is the inhuman Captain and on the other side the Faun, both playing the weaker ones. One grounded in reality, the other in fantasy of a child or perhaps the fantasy of the collective consciousness of Spain itself.


Whatever it is that you find,  in the end it is unquestionable horror, fantasy, history all weaved into one compelling yarn that pulls us into the labyrinth making us hope and making us cry but, staying in our minds for a long, long time.

I leave you with the trailer of Pan’s Labyrinth

O for Omar


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In times of political unrest, war and turmoil, can love, friendship and loyalty thrive and flourish or are treachery and deceit the only outcomes. Breaking all polemics is a story of three friends in the strife-ridden Palestine. Will trust wither or is there hope for everyone.

Today’s movie is the all Palestinian star cast Omar, a romance with many melodramatic moments but is essentially a thriller set amidst the stark reality of Israel – Palestine conflict. Directed by Hany Abu Asad and starring newcomers like Adam Bakri in the titular role of Omar.

The movie opens with Omar running over the wall that separates occupied Palestine from Israel. It looms like the evil, intimidating omnipotent and omnipresent object that not only separates Palestine from Israel in thought, ideology, religion, culture and animosity but also divides Palestinians from Palestinians. The Wall symbolizes not just the strife but also all that is withering within people.

Scaling the separation wall is as unexceptional in the life of the baker Omar, as his and other Palestinians being treated miserably by the Israeli soldiers. Dodging bullets, another very normal matter of fact event in the daily lives of Palestinians, Omar goes to meet his friends and the high school girl he is in love with. Though the young Omar can scale the walls in a few lithe actions the slightly older, out of practice Omar is unable to do so almost like is signifies that he is dejected and frustrated with the life he has.


The three friends Amjad, Tarek and Omar are barely beyond twenties with dreams of a normal life, which includes killing an Israeli soldier. Swift with revenge, the Israeli’s get hold of Omar and he is strung up and savagely beaten. Agent Rami offers him a way out; get Tarek and gang or get tortured inhumanly.

Though Rami could easily have been depicted as the monster, but his humanity comes out when he talks to his wife or enquires about his boys. There are two aspects to it, either talking to family while a grueling torture session is only but normal in these abnormal times or he is like anyone else trying to do his job as best as he can while being a loving family man too.


Omar is released by his tormentors and he heads back to where he belongs to his friends and his Nadja but the situation escalates leaving a trail of suspicion, deceit and betrayal. The essence of the tumultuous lives is captured well where people confront the bitter flavor of truth every second of the day. The film quickly progresses to a narrow and harrowing chase where each side exhibits questionable ideas.


The ending takes one by shock but then we realize that the only way to hunt down a prey is to entice him to your own territory. During these unspeakable times where everything is breakable, does Omar remain loyal, I will not give away the ending to an almost John Le Carr kind thriller. Find a copy of Omar and experience the movie. It will shock you, make you cry but will entertain you thoroughly just as a thriller should.


It is one of the rare movies that show us the Palestinian perspective and their everyday life will make our troubles look puny and laughable. Though Asad is not making any political commentary it is true of any section that is weak. The powerful will do everything in their might to break the weak and keep them voiceless.

Leaving you with the trailer of Omar

N for Nacho Libre

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Nacho Libre, is a laugh riot from the beginning to the end. It is a clean family entertainer where I could sit with my son and laugh alongside him without cringing in embarrassment at anything that was being shown. A time when the movie business is replete with remakes, sequels and comic book adaptations this one is a fresh, small budget, no special effect movie that can make adults crack up like some freckled faced teenager.

Nacho Libre is another sweet comedy cooked up by the writers Mike White, Jerusha Hess and Jard Hess, who happen to direct the movie as well. Jack Black is the central character playing Nacho a half Mexican half American Friar, who yearns to be in another band of brotherhood much different from the Church he works in.

Orphaned at an early, Ignacio was raised in a Monastery; he is the meal man who cooks, here may I add, atrocious food for the orphans. Infact the meals cooked by him are so bad that orphans would rather have less food than eat the unpalatable food he cooks. To add insult to his injury the men of cloth don’t think much of him either and treats him pretty bad. The only thing going for him is that he adores the orphans and his yearning to become a ‘luchador’ or wrestler. Well, on the side, he is also attracted to the distractingly beautiful Sister Encarnacio. One can’t blame him for that, because celibate or not one is bound to look at least twice at such a pretty creation of God. Nacho stuck in the daily humdrum routine wants to catch her eye and also longs for the kind of attention the great luchador Ramses gets.

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Collaborating with the street thief, Esquelto, into becoming his sidekick, he starts off his career as the masked wrestler. He soon figures out that he is as bad in wrestling as he is in cooking up the daily broth but luckily for him, he didn’t have to win to be paid. By night Ignacio is an infamously unsuccessful masked wrestler and by day he is the friar with a crush on the new entrant nun at the monastery.

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Ignacio is in constant dilemma, because he is not happy just serving god, he wants to do something more. I think where the film scores is the fact it never mocks at religion. Yes the new nun is gorgeous and the priests have the hots for her but then who wouldn’t? In the end it is a movie not so much about religion but about faith. Its Ignacio’s faith that stops him from being enraged at the other priests who constantly humiliate him, it is his faith and belief that he can do something more for the orphans that propels him to go on a limb and become a, though ludicrous, but a wrestler nevertheless.


Nacho Libre is far from being a path breaking film, but lets confront facts, what can be expected of a wrestling comedy from a moustached butterball Priest. Its laughable when detractors think it hurts people’s sensibilities, for whatever its worth, comedies are not supposed to tread the territory of the politically right. So leave that garb behind and watch this simple and hilarious underdog comedy. Nacho Libre is at once funny, sweet and surprising.

I leave you with a few scenes of Nacho Libre


M for Malena

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We love to gossip. Especially if there is a drop dead gorgeous, standoffish woman who turns every man’s head – we would so love to damn her to the deepest realms of hell! Men would love to fantasize her or fulfill their desire and flush her like some used toilet paper and women would be insecure by her mere presence and wag their tongue about what a tart she is.

Malena vividly reflects how a group of men and women can come together and collaboratively bring down a woman everyone desires secretly. And in the midst of it all is a young boy whose pubescent desires go all haywire. Directed by Giuseppe Tornatore , Malena stars Monica Bellucci, Giuseppe Sulfaro and Luciano Federico.


Malena shows the Facist era of 1940 in Italy. While the townsfolk of Castelcuto of Sicily, are busy pledging for Mussolini, there is a young boy of thirteen whose only predicament are his raging hormones and the stunning Malena accelerates the frenetic goings on into an overdrive. Apart from politics it is the mysterious and lonely Malena that unites the towns people. Her husband is away fighting and she is left behind to take care of her father in law. She keeps to herself, dedicated only to the task at hand. Her grace, elegance and beauty becomes the talk of the town and she is the fodder for all the gossip. Everyone assumes that she must be having a relationship outside her marriage and it is the news of her husband’s martyrdom that makes the men believe that she is now available to meet their desires. Meanwhile Renato’s infatuation develops into an obsession and he begins to follow her everywhere and spy on her, which unwittingly makes him the sole witness to all her trials and tribulations.

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Renato deems Malena  a Goddess and in the four years that go by, he sees her elevated status defiled and marred by the lustful men and the jealous and despising women. Her beauty becomes her curse when a local lawyer promises to clear her name from a jealous wife’s lawsuit and demands his payment to be in kind. As shortages loom due to the war, Malena has to constantly barter favors to get one square meal and is soon forced into prostitution for her survival. When the war ends, the townsfolk take revenge on Malena – the women surround and pounce on her, beating her up and hurling insults until she is thrown out of the town.

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But there is light at the end of the tunnel and the tables are turned. Malena’s husband returns and he seeks her out and asks for her forgiveness for letting her alone in the world full of merciless people. Renato who had suffered when Malena fell from grace was overjoyed with this last act of forgiveness that absolved all her faults and elevated her to her previous status of elegance.


Malena is a yarn seen from Renato’s eyes. He is the narrator and it is his coming of age story that focuses on how his perception of her makes him comprehend the true meaning of love, lust, devotion and fidelity.

Malena explores themes of collaboration, bigotry, lust, guilt and the very human will to survive.They are all wrapped  into one moving and emotional film that feels epic in scale. It is almost a study of human behavior , behavior that cuts across borders, race, culture and rings true even at our modern age of open mindedness.


I leave you with some of the best scenes of Monica Belucci as Malena 

L for Life is Beautiful

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Whatever it is, wherever it is, whenever it is and however it is, Life is Beautiful. Life is beautiful in love, life is beautiful in war, life is beautiful in misery, life is beautiful in happiness, life is beautiful in despair, and life is beautiful in contentment. In all its absurdity, craziness, wisdom, reasonableness and paradoxes, it remains an enigma but above all else life is just simply beautiful.

Roberto Benigni’s Life is Beautiful loudly and clearly tells us, that amidst the worse we can still find humor and keep the spirit high. Life is Beautiful or La Vida Es Bella, is an Italian movie directed by and acted by Roberto Benigni as Guido and has other star casts like Nicoletta Brashci as Dora, Giorgio Cantarini as Giosue, Giustino Durano as Uncle and Sergio Bustric as Ferruccio.


Guido is a lovable, goofy character who, wants to open a bookstore therefore works part time as a waiter  to save up as much as he can. In the mean time he meets Dora and after an enchanting courtship they get married and have a son they name Giosue. Slowly the movie moves forward into World War II and its imminence is succinctly brought about when Guido asks a man about his political views and he turns around to reprimand his sons as “Benito, Adolfo! Be Good!”


Though some critics are of the view that the movie somehow mellows and trivializes the grief and tragedy of the victims of World War II, on the contrary with all its buffoonery it points out to the abject absurdity of the situation. When Giosue wonders why a “no Jew or Dogs allowed” sign was on the window of a bakery, Guido tells him with an undertone of outrage that it’s a matter of personal choice and that “No Spiders or Visigoths” sign would make as much sense as the latter.

Later when the family is deported to the concentration camp Guido tells his son that this was part of a big game that they were all playing and points would be given at every stage and the winner would be awarded with a tank in the end. When the Jews are shoved into a dark train with no windows or seats Guido exclaims to his bewildered son “What, Seats on a train? Its obvious you have never been in one!” When they arrive at the prison camp and they have to wait in a huge queue, Guido explains that everyone is eagerly waiting to get in and start playing the game and win the prize. At the camp he volunteers to translate a Nazi officer’s command into Italian (and he knows not a word of German). He shouts out “we play part of the real mean guys who yell,” pointing out to the officers and he also translates some as, “don’t ask for lollipops, you don’t get any. We eat them all.”

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At the camp Guido works in grueling, back breaking conditions yet never for a moment loses patience with the child and keeps telling him to play the part and stay hidden from the officers because he was close to winning the tank. At the very end, Guido is caught by the German soldiers and marched out, but he manages to hide his son and tells him not to come out until there was no one in sight. He knows that his son will be watching him from his hiding spot, and he creates a comic moment even as he is marched out. The viewers know the fate that lies awaiting for Guido but the child is blissfully ignorant about it. In the morning when not a soul was in sight, he comes out of his hiding and his jaws drop to see a big tank approaching him. An English soldier comes out of the tank and lifts him up onto it. His prize for winning the game, or the English winning the war, and just as his father told him he got the tank rather a ride on it.




The movie in the end is a story of a father’s sacrifice in keeping his son safe. Guido had the gift of comedy and quick improvisation and that’s the tool he used to keep his son away from harm’s way, had he possessed a weapon he would have probably used that to keep him safe. Life is Beautiful is a moving tale of the dauntless human spirit.

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Is Guido a brave soldier? Isnt he? He keeps his family safe just like the soldiers who give up their lives to keep the country safe. Guido is no less – he is a lion hearted, fearless soldier who keeps his son unscathed from the unspeakable crime that was the reality for months on end. A father who teaches love, a father who accentuates that no matter what, Life is Beautiful.

I leave you with one scene from Life is Beautiful

K for Kagemusha

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Can a fallen man fit into a noble man’s shoes? Can he measure up to his standards? Or does he remain fallen for the rest of his life? Does our birth, color, creed, nobility decide if we can achieve greatness? What does his Karma have in store for him? Well, no one knows what we are destined to do or become, we all try to keep afloat as best we can!

Kagemusha or “Shadow Warrior” is a Japanese movie by the well-known Director Akira Kurosawa. Kagemusha is an epic Samurai movie, be it the emotions or the colors or the technicality, it out performs any others in these aspects. It is a movie that questions the Samurai Code.

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Basically it is about a man who has nothing and is thrown into a world, which he has neither created nor he knows anything about. A petty thief is taken in custody by the Takeda clan for his uncanny resemblance with their dying leader. Soon after Shingen’s, the leader, death Kagemusha takes his place and starts impersonating him. But its easier said than done, he has to be coached by the people near to Shingen, to pick up every trait of his. The film depicts the constant dilemma of the Kagemusha’s role and his psyche. At times the viewers are led into believing that he is possessed by Shingin’s spirit but we realize as the story moves forward that he is not possessed by any ghost but he is haunted by the Shingen’s own legacy. Though the detractors are fooled by the imposter, Shingen’s horse isn’t. When Kagemusha tries to ride it, he falls proving to the world he was nothing more than a lowly subterfuge. He is replaced and the new clan leader wages a war with the enemy clan and loses leaving behind only carnage and annihilation. Kagemusha, the low born, common thief imposter, who cannot have an iota of loyalty and bravery, is horror stricken to see the gore around him. He in his last act of valor and fortitude, charges with a lance into the enemy lines to avenge the myriad deaths, and eventually dies for the Shingen and Takeda Clan.

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The plot is simple but the story telling is replete with pathos and  poignantly portrays that all men are equal. What remains is the dying Kagemusha floating in the ocean and the tidal waves carry him further than the rest of the fallen Takeda Clan. It is for the viewer to analyse if its just ideas that move forwards despite time or tide or is it that we are all here to fulfill our destinies that set us apart from the others.

I leave you with the trailer of Kagemusha

J for Juno

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Teen pregnancy is not the most thrilling episode in one’s life and I wish no one such an ordeal. In real life it’s best to keep away from it, how you do it, abstain or use contraceptive, it’s your choice. I am not here to preach and neither does Juno.

In many ways Juno breaks a few stereotypes. A sixteen-year old pregnant girl should be scared and depressed, right? Her parents should be after her life, isn’t it? She should be rushed into an abortion! The urbane well to do hen pecked Mark and over zealous Vanessa should be banal and stereotypical city slickers? Well its one hell of a laugh riot that finally breaks the facades and lets us see the inner workings of each of the characters.

Jason Reitman, directs Ellen Page, Michael Cera, Jennifer Garner and Jason Bateman in this quick witted comedy. Juno. The movie has no negative stance on teenage pregnancy rather it chronicles the journey of the 16 year old in these nine months.

Juno, is a smart talking, know all , cocky teenager, who wants to get away from the stigma of being a virgin. She talks her friend Paulie Bleeker into having sex with her, though he is not too keen about it, he relents to her experimentation. We have to remember Juno is a teenager and no matter how hyper verbal she is about everything in life, she makes a poor choice of sex without protection. And of course the price is she is, pregnancy. But hey, it’s Juno who is pregnant, hence totally unruffled and absolutely brave and matter of fact about it. To the surprise of the audience, her parents are also very mature about it. They think about the right course of action without pulling down and reprimanding the sixteen year old in any way.


Though she contemplates abortion initially, she decides to go through with having the baby and placing her/him for adoption and surprise, surprise her parents let her choose (I cant even begin to imagine what could be the consequence of this grave issue in an Indian household!) Anyways, Juno finds a childless couple ready to adopt her own child, in Vanessa and Mark. The initial impression of the couple through Juno’s eyes is that Vanessa is uptight and materialistic and Mark totally henpecked. Yet behind this veneer, Vanessa is unhappy about her life and childlessness; she longs for a bundle of joy. On the contrary Mark is not all that hen pecked after all, he is a manipulative child man, who doesn’t want to grow up, who doesn’t even know if he is ready to be a father. He is in a time capsule of his pubescence and gets attracted to Juno’s youthfulness.


In a crux the movie is all about Juno’s experiences that span across three trimesters and four seasons where she herself matures enough to understand that her know it all attitude masks ignorance and she has a lot to learn. In her pregnancy adventure she gets a peek into the lives of adults. She knows that her choice of adoption has given her the immense power into the lives of affluent people who she could bend in any which way she wants. It is a coming of age movie where the 16 years old fails in an experiment done hastily but finally succeeds in understanding the finer nuances of life.

Juno does not pass any judgements about any of the characters. Though many critics have voiced that this movie glamourises teenage pregnancy and anti abortion rights, it does no such thing. On the contrary, without being judgemental and surmonizing, it brings out the long lasting effects of a not well thought out and hasty decision.

Here’s the motomouth Juno for all of you

I for In Bruges


How many of you have heard of Bruges? I for one had never heard of it before I saw the movie and the sights and sounds make me want to visit this little town tucked away somewhere in Belgium.


In Bruges is the debut movie of Martin McDonagh and stars big names like Brenden Gleesen and Colin Farrel. The movie is a dark comedy and can be called a Noir Film laden with pathos and interspersed with many twists and turns. It gives a window into the mind of hitherto criminal who is inwardly torn apart by his guilt. Criminal and guilt, the two do not run parallel to each other, you may ask, yet the movie beautifully brings out a certain set of human rules and a tiny bit of humanity that still makes them humane.

Ray (Farell) and Ken are stuck In Bruges ‘the best preserved medieval city in Belgium’. Ray hates the sleepy, boring town and wants to run away to London where its more fun and entertaining. It seems both of them are waiting in Bruges, waiting for the next course of action or orders from the powers that be. The picturesque Bruges is a parable to Purgatory, where one is suspended before ones fate is decided.

At the very onset it is shown that, Ray cribs about the dull Bruges, and Ken tells him that had it not been for Ray, they would not have been in this god forsaken town at all. Ray cuts him off and rushes to the washroom where he cries and the distress comes out loud and clear. Something is not right somewhere and that is eating him up within, despite the bravado and smart talking façade. Soon we find out the reason for the two Irish hit men to be stuck in this little, sleepy hollow and Ray’s ever-increasing guilt. Ray kills a Priest in the church during confession and as the bullet pierces through the Priest’s body it hits a 4-5 year old child, who had his own set of confessions for God.

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At the very beginning it was quite obvious that Ken and Ray are poles apart, their likes and dislikes very different. While Ken loved the town and wanted to savor its magnificent sights, the cobbled pathways, the pristine architecture, the conventional churches, Ray loathed every bit of it and longed to back to the action at London. As the movie progresses we see the camaraderie of the two increases and soon the fondness for this little place sets in, especially for Ray. Though he never says it in so many words but his actions and expressions all hint in this direction.

The much-awaited order comes from their leader Harry (Ralph Fiennes) over the phone – that Ken must eliminate Ray as the death of a child cannot go unpunished. Ken is visibly shaken and he pleads to Harry that Ray has been tormented by the event and his remorse would help him redeem himself since he was a ’good kid’. But Harry would not budge and according to him such an abominable act cannot go unpunished. Later on, in the movie, a fight ensues between the two and Harry manages to injure Ken. Ken frantically tries to save his friend Ray, and he rushes up the church tower and in a final moment of utter desperation throws himself off the ledge. Ray taken aback rushes to the almost dead Ken, only to be informed that he was in danger. Ken’s sacrifice goes wasted as Harry hunts Ray down and finally manages to get him.


The point of the movie that was at once, moving and sad, funny and poignant, tearjerker and dittzy, eventually drive home the fact that, circumstances can make someone a criminal, but circumstances cannot take away the finer human feelings from him.

In Bruges is a must watch film that will leave you wondering whose side to take and in the end you will be sympathizing with a child killer not the man who says the child killer should be condemned for life. Sigh! Human Beings are strange creatures and difficult to predict.

Here are some scenes from the movie

H for Herod’s Law

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Are we born corrupt? Hell, No! Do we have idealistic and moralistic dreams of changing the world while growing up? Absolutely! Do we want to work for the upliftment of our society in our youth? Surely! Do we deviate? Most definitely Yes, yes and YES!

Herod’s Law (La Lay de Herodes) underscores that no matter how much the population looks upto the new man elected for their deliverance and no matter how much good he intends for the population; money and power makes all corrupt and exploitative, unscrupulous and treacherous. Entitlement somehow manages to keep the disenfranchised more incapacitated than before.

Herod’s Law is a Mexican Political satire, which made such a powerful impression on the society that it proved to be the major force to tumble the seventy-one years of PRI rule. Luis Estrada has directed the movie that stars Damian Alcazar and Pedro Armendarez Jr.

When a few non Spanish-speaking Indians kill the Mayor of the small desert town of San Pedro de los Saguaros , the provincial officer Lopez gets the junkyard custodian Juan Vargas as the Mayor. Vargas was Junkyard custodian but a quiet, naïve, loyal party member and Lopez thought he could use Vargas as a puppet who could put a lid on the problems of the villagers so then he in turn can become the Governor.

The New Mayor is all eager and wants to change the place, bring about a ray of hope in the villager’s life but sadly the coffers are empty; the money needed for development is not there. It can only come through taxes that the villagers are not paying up, neither are the townsfolk respecting him as the mayor. On the contrary the Doctor, who follows the rival party threatens to defeat him if he is not capable of shutting the town brothel. Even the town’s priest tries to shake him up. Helpless he turns to Lopez for some sound advice, and sound advice is what he gets.

Lopez tells him about the Herod’s Law, which sums to ‘Do them before you are done with’. He gives him a book and a gun and tells him to extort taxes out of the villagers. That is the turning point of Vargas. He becomes the gun totting criminal, ruthlessly extracting money out of the villagers and he actually manages to fill up the coffers to the brim. He also takes to prostitution, mindlessly exploits each and everyone around.

The Priest is as corrupt as the Mayor, who by day talks of God and by night gets entertained at the brothel, The Mayor has no conscience at all he infact kills the lady running the brothel and her goon and coerces the townsfolk’s to pin the blame on the doctor. Also there is this American engineer who comes to the town to build roads. He is shown trying to help the mayor bring about progress but then taking advantage of his wife. Its almost a parable of America itself, where they infiltrate to work but use up the area’s resources. The only place where there is some humanity is the Brothel. Here it reminds me of Mandi a Bollywood art house cinema that shows that though the ladies of the house partake in sinful practices yet there is more soul in them than the entire town put together.

Juan Vargis starts as a simple man but his character escalates into a rogue with the dangerous combination of money and power that it is difficult to relate this to be the same man who started out for San Pedro. But than money and power corrupts the most erudite of us, then why should it be any different for Vargis. The movie kind of highlights how corruption and degeneration is imprinted in our DNA. I would like to think not, but then have we not seen this Mexican story repeat time and time again!

I leave you with a trailer of this movie..

G for Gone With The Wind

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When a friend asked me to write about Gone With the Wind I could not say ‘No’ because no movie list is complete without its mention.

It is more than 70 years now that Gone with the Wind was made but it still has the same appeal for the moviegoers, young and old. The story represents a sentimental view of the Civil War in the Old South and it shows the rise and fall of petulant and capricious, willful and maneuvering Scarlet O Hara. Infact the Civil War seems like the only way to bring Scarlett to her knees. While watching the movie one has to keep in mind that the era it represents is fundamentally different from ours, when segregation was still the law.

At this time and age, the movie and its ethos might be frowned upon because it talks of a ‘civilization that has gone with the wind’. A civilization that bred on the sweat and blood of the slaves, a gentility nurtured by the hard toil of the slaves. “There was a land of Cavaliers and Cotton Fields called the Old South. Here in this pretty world, Gallantry took its last bow. Here was the last ever to be seen of Knights and their Ladies Fair, of Master and of Slave. Look for it only in books, for it is no more than a dream remembered, a Civilization gone with the wind.” Heck but then who is asking the slaves? Though no remorse is shown towards the African American population but to the credit of the movie they are treated with humanity and complexity.

Scarlett o Hara’s character has been perfectly played by Vivien Leigh, a relatively unknown British actress. She has breathed in life and poise into the role of Scarlett and no one other than her fits into the shoes of Scarlett. Of course Margaret Mitchell had Clark Gable in her mind when she penned down Rhett Butler who perfectly compliments Vivien Leigh. Scarlett and Rhett seem perfect for each other.


Scarlett is a haughty, tempestuous   and an opportunistic protagonist, the flawed heroine, who has a huge ego and believes that whatever or whoever she fancies will be hers. Her conniving and manipulative ways leaves her lonely, desolate and loveless even with three marriages. She first marries Charles Hamilton because she can’t lay her hands on Ashley Wilkes. After Hamilton is killed in the war she lies and schemes into marrying Frank Kennedy with whose money she builds and runs a successful mill and shames Ashley to join her as an employee. Soon she is attacked by hobos and in the fight that ensues Frank is killed. Shortly after that she marries Rhett Butler, nevertheless pines for this one man she cant have, Ashley.

Rhett is a reprobate, unscrupulous opportunist whose life revolves around womanizing which makes him a social pariah. He overhears Scarlett’s advances to Ashley on the day of the Barbeque who was shortly to marry his cousin Melanie. Rhett admires her willfulness and her nonchalance to societal impropriety. Even as a widow to Hamilton, Rhett encourages her to dance during the mourning period and Scarlett deriding and ignoring the rules of polite society encourages her firebrand self to befriend Rhett. Much later when Melanie is dying in her arms, she realizes that her love for Ashley was just a childish obsession, she actually loved Rhett, she rushes over only to be slighted by him with the blasphemous but now famous words, “frankly, my dear, I don’t give a damn.”


Gone With The Wind has won 10 Oscars and of course one was awarded to the leading, lady who brought in so much oomph and charm into Scarlett o Hara, Vivien Leigh. The Film also boasts of the first Oscar for an African American, Hattie McDaniel in a supporting role.

Seen it or not, the movie has been heard by all as a time capsule of a period that is looked with no prejudices, of a Civilization that is long Gone but definitely not forgotten and will not be forgotten for generations to come.


Leaving you with some memorable scenes of Gone With The WInd